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painting |
texts | list
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Holy Body togfether with Oleg Mavromatti, 51 3rd, Troy, NY (2007)
Blood Revenge2 At Exit Art, NY. Part of the Serious Games performance art event. .........................................................................
Blood Revenge togfether with Oleg Mavromatti, 51 3rd, Troy, NY (2006) Boryana and Oleg shoot each other with water pistols filled with their own blood. .........................................................................
The Living and the Dead togfether with Oleg Mavromatti, Rencontre internationale d’art performance (RIAP), organized by Le Lieu, center for actual art, at Galerie Rouje, Quebec City, (2006) .........................................................................
Bofore and After together woth Oleg Mavromatti, During the Wild Nights performance art event atExit Art, NYC 2006. .........................................................................
Photographs by : Katia Damianova ZS performance, Sofia City Art Gallery, 3 June, 2005 Boryana Rossa stitches up herself to a mirror. |
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Shallow Thoughts 3.12.2004, Red House Center for Culture and Debate, Sofia Establishing a "blood brotherhood" between e-coli and humans. ULTRAFUTURO © .........................................................................
The Last Valve, 06.Oct.2004 New York Blade Women
Gone Wild "Several non-gay artists in the exhibit explore sexual topics as well. In one of the more graphic works, Boryanna Rossa videotapes herself using surgical needle and thread to literally sew her vagina closed. Whatever the artist’s intent (is she reacting to the savage violation that is rape, or to forced female genital mutilation, or is she minimizing the biological differences between genders?), it is a most unforgettable, viscerally charged piece...." .........................................................................
3 Hooks for Catching Texts (a critical reading of Isaac Asimov's "I, Robot"); Center for Contemporary Art, Ancient Bath, Plovdiv (2004) ......................................................................... |
